Don’t write, just write. But don’t write, because you’re not good enough.
Like many amateur writers, I follow a number of online writing tips websites. I’m sure you have ones you like. Some of the better ones that I know about include DIYMFA and Bang2Write.
I mention these two because they’re high quality, and give writing tips from different perspectives. DIYMFA from a writer’s perspective, from someone who’s been through a Master of Fine Arts programme (hence DIY MFA); and Bang2Write from someone in the industry who makes decisions on scripts, as well as being a writer.
The good thing about both of those is that, generally, they give this advice: just write. That’s all you need, really. After that, everything is style.
But some writing tips websites almost go out of their way to stop people writing. Which seems a bit bizarre. They say things like:
Don’t write prologues unless you’re highly experienced.
Don’t write cliches unless you’re a really good writer and make a really good job of it.
Have you ever seen this kind of advice? It’s nonsense. In the first one, how would one get to be “highly experienced” if one didn’t write with low experience? And how can one use a cliché in writing and make it brilliant, if one doesn’t use clichés in their rubbish form and learn why they’re bad? They almost say to a budding writer, “Don’t write, you’re not good at it. Leave it to the professionals.” And then off we trot to find out how the professionals became good, and their interviews says, “Just write. Make mistakes.”
More work on planetfall book 2 this weekend. I’m about 24,000 words in now, which is about 80 pages. It’s already shaping up to be an action-centred book, where the first one was more thriller-esque. The theme of revenge is strong, and I’ve somehow managed to set up four storylines (one major story, three sub-plots) in that time, which I’m pleased about.
My writing approach with this book is a nice mixture of planned and organic. I know, have known, the overall story arc, and roughly where each of the characters needs to end up by the book’s close. So starting with the end in mind it’s now a case of letting the characters explore their personal space and their narratives, and seeing what crops up. Undoubtedly I’ll be editing things out, putting new parts in, treating what I’ve written so far as guide text and adding more exposition and so on, but for now, it’s going very well.
Regarding book 1, it’s still out with agents, and I’m waiting for feedback from about 10 of them. I think I said that I’d received feedback that it “has a big sci-fi feel”, which isn’t seen much these days, but that agents are looking for different kinds of books for current market conditions. (That’s the same feedback I received for my other book, Backpackers – market’s looking for different kinds of stories.)
I’d love to hear what you’re working on. Drop me a line.