Writing update – marketing and editing

Finishing the first draft of a book is difficult. Doing it while trying to write a marketing plan for another book raises the stakes. Doing those while holding down a full time job puts it all in peril. And doing all of that while selling, buying and moving house and becoming a first-time father puts us in high stakes drama mode. So here I am – Planetfall 2 draft finished, a marketing plan for Sympathy for the Devil in development, bedrooms full of unpacked boxes and a 2 week old daughter in my arms.

One of the first lessons we learn as authors is that we have to make space for writing. We all do that differently. Some of us grab the spaces between other things and scribble like mad. Some of us eschew television or social engagements. Some of us rise early and dedicate an hour or so before our ‘normal’ day begins. And some of us may give ourselves two hours every Saturday and Sunday alone in a cafe to catch up on our writing. Whatever our approach, we do it because it’s important. Writing needs space, it needs dedication, and it needs its own time free from other distractions.

That lesson is even more important when a baby comes along. Babies don’t care about our approach to grabbing time for writing. Those two hours we normally have? Gone in bringing up baby’s wind. The social engagements we eschewed are no longer an option while we catch up with just 20 minutes of writing in-between changing nappies, putting the washing on, tidying up the kitchen and cooking a meal.

I’ve carried on writing throughout this tumultuous period and it’s been difficult and it’s also been necessary. Ever since 2008 I’ve planned my writing time, and now that’s really paying off with the following writing updates:

UPDATE – Planetfall 2: Children of Fall

I finished the first draft of PF2 in early June, amid a rush of writing as moving and birth date approached. I was really pleased with the first draft. It was structured and planned in much more detail than previous books, which meant when I came to write, I could rattle off a 5000-word chapter in a couple of days.

The first draft has already been to a beta-reader, and I now have an extensive list of re-writes. The most significant re-write will be around returning lead character Kate Leland, whose character I haven’t quite nailed. Returning characters are a little more difficult to get right, I think. I last wrote Kate in 2011, and in-between wrote Backpackers and Sympathy for the Devil. PF2 is also set 12 years later, and there needs to be clear character progression between the two books. Kate needs to ‘feel like’ Kate from All Fall Down, and she also needs to feel like she’s matured, and changed in response to her personal history. A returning reader should be able to tell they’re back with her and also recognise and ‘allow’ her to be and feel slightly different.

I’ve just completed my own read through of the first draft. The second half of the book I’m very happy with. The first half, or at least Kate’s first four chapters are going to be completely scrapped so that I can get her storyline and character right. There’s also work to do in bringing out the other returning characters who are only present in light brush-strokes at the moment (Djembe, Daoud). And there are character relationship issues between new characters (Swan, Stendahl) which need strengthening and made deeper.

Children of Fall was originally slated for a Christmas 2015 release. I think this is now looking unlikely. Even if I get a second draft written by October, I’ll still need to go through a 3rd and 4th draft and then let the book rest for a month or two before I can contemplate a final draft. Perhaps May 2016 would be more realistic?

By the way, I maintain a Facebook page for Planetfall, on which I also share news about science fictions films, books and other media. Please Like it for updates: https://www.facebook.com/planetfalltrilogy – when Sympathy and the next PF book are published, there’ll be exclusive competitions on the page.

UPDATE – Sympathy for the Devil

To fill the release schedule left empty by Planetfall 2, I’ve got Sympathy for the Devil almost ready for publication. I was disappointed not to find representation for this book. Based on feedback from agents I know the quality of the book is at the right level for ‘formal’ publication. Unfortunately the book is satire, and the agents who sent personal responses (as opposed to template responses) said that publishing houses rarely pick up satire. This means it’s not worth their while putting effort into representation. Their time is money, and if there’s very little chance of publication, their time is wasted. I understand this, we all need an income. I’m also disappointed – it would be nice to have the book’s quality validated by industry recognition.

Onwards and upwards though! I’ve been extremely fortunate in working with a talented artist and now have cover art for the book. The design ethic is a departure from my previous book covers (Planetfall is a deliberate mix of scifi art and graphic design, Backpackers was self-designed with help on the lettering from Whitefire Designs), and I’ll be revealing some of the artwork on here in the next few weeks.

In the meantime, I’m waiting to get my new home wired up for broadband before I start any significant work on marketing the book. Before that I’m writing a proper marketing plan. This is a first for me – previously I’ve used marketing plan templates and taken bits and bobs from them as tips. This time I’m raising my game and putting together a proper action plan. Once it’s prepared I’ll share it for other writers to crib.

That’s all for now. I hope you’re writing is going well. Drop me a line here on  Twitter @astrotomato if you want to chat about any #amwriting issues.

astro x

Advertisement

Writing update 30 March 2014

A quick update on my writing projects.

 

Sympathy for the Devil

I have a full second draft of the novel, with a proper ending. The first draft was finished within three months (I think taking May-August 2013), and it’s taken another 7 months to properly re-write that initial draft. The first draft was about 70,000 words long, and the second draft is 96,000 words.

In terms of re-writing, I deleted the final 30,000 words of draft one and re-wrote from scratch, taking it into a completely different direction. Of the remaining 40,000 words from the original draft, at least 25,000 words were wholly re-written.

I think this is a good thing. Some initial drafts are strong and need tinkering. This initial draft was strong on the central character (Lucy) and a few key scenes, but had little direction or cohesiveness. I’ve had to put a huge amount of thought and research into giving story a logical structure, supporting characters with depth and multiple and rising tensions that make sense and keep complicating the story in an understandable way.

I think this full second draft of Sympathy for the Devil has an open and accessible style, which is what I was hoping for. (I contrast this with Planetfall, which was quite densely written for a scifi crowd who would already understand the kind of world put forward.)

I’m now resting Sympathy for a few weeks so that I can go back in a few weeks and make a few final tweaks. Afterwards, I’ll be sending it to a professional editor – and all suggestions on good editors are gratefully received.

 

Planetfall

I mentioned Planetfall, and there’s an update on this too.

Book one, All Fall Down, has now shifted over 500 copies through physical book sales and digital downloads. Reviews keep popping up on the Amazon page, which is satisfying. I’d really like to see more reviews on there – there are seven now. Thirty would be amazing. 

A plea – if you’ve read the book, please leave an honest review (whether you loved or loathed it, I don’t mind) on its Amazon page.

Book 2, Children of Fall, is still on hold while I’ve been writing Sympathy for the Devil. I’m hoping to be back with it by September 2014.

In the meantime, while I rest Sympathy, I am writing a short story set in the Planetfall universe. I’m hoping to release it on Kindle and other formats towards the end of May 2014. More updates as and when.

 

Other writing projects

Robocop fan fiction. A couple of years ago I started writing a Robocop fan fiction novella. I have now abandoned this.

Backpackers 2. I wrote half an opening chapter for a sequel to Backpackers. I’ve no idea where that might go. Maybe I’ll add the occasional thousand words here and there. Cath’s a hard character to shake off, and the format – short stories linked together by a single character – is still attractive to me.

Job Centre sitcom script. I was really pleased with the spec script I wrote in 2012. This is now shelved due to lack of time. 

 

Future writing projects

I’ve agreed to co-write a script, probably for a short stage play but potentially a pilot script for a series. The subject will be on mental health, and work will hopefully start around November or December 2014.

Writing update

A short blog this time with updates on my various writing projects:

 

  • Planetfall: the first book in the trilogy has been available since January 2013. It’s had over 300 paperback sales or downloads. A few agents have expressed some interest in it, but have been dissuaded because it doesn’t fit current market trends. However – recently an online publisher asked to see the full manuscript after reading the first three chapter. More news as and when.
  • Planetfall: book 2, Children of Fall, is going well. I’m about halfway through writing it. It’s already at 100,000 words, which is the length of book 1, and Backpackers – ie, a full novel’s length. The final book will probably be 200,000 words, and I am currently wondering whether I should release it in two halves, and then combine into one book. I have a few months to consider what to do, as I’m taking time out to work on a short, secret project (see below).
  • Backpackers: this has had some interest from agents, and was almost picked up by one. However each cited Fifty Shades of Grey as having changed the market, and publishers wanting more books along those lines. I’ve self published the book for a short time to gauge interest. So far it’s selling badly, which is a shame, as it’s a better book than Planetfall 😀 Oh well. I shall leave it for sale until June, and then take it down. I may re-write Chapter Three, which I think is its weakest link at the moment.
  • Secret project: Not much to say, other than I’m trying to write a novella or a short novel (somewhere between 65,000-75,000 words) in three months. All I’ll say is Jack Wolf from Backpackers makes a guest appearance.
  • Robocop fanfic: on hold. I’m sad about this, as the film is coming out soon, and I’d hoped to cynically cash in on the publicity to grow my readership. The secret project has to take precedence though.

 

Hope your writing is going well. As usual, I’d love to hear what you’re working on.

 

astro x

Customer reviews for Planetfall

Tonight I put out the call: “Have you read Planetfall? What did you think?”

Two readers came back with comments, one on Twitter and one on the book’s Facebook page.  Here’s what they had to say:

The first review was on Twitter, and straight to the point!

Planetfall is bloody brilliant

Planetfall first customer review

Phew! It’s always good to know that a reader likes your book. But what about the other readers? Here’s some more feedback, this one from one of the lucky competition winners:

Competition winner's review of planetfall

Competition winner’s review of planetfall

As you can read, they “loved it” and thought it was “great writing”. This is the point where my head starts to explode. But fear not dear reader – hopefully soon there’ll be a magazine review which totally demolishes it to bring balance back!

I probed a little with this competition winner, to find our what they specifically liked. They mentioned the main character and the pacing of the book:

Strong female protagonist

What was your favourite part of Planetfall?

I’m relieved that the main character, Kate, has come across so well. I put a lot of effort into writing Kate, and it was very important to me to have a strong female protagonist; science fiction is often lacking in these.

One of the early criticisms of initial drafts of the book was its slow start: the opening chapter was slow and cinematic and atmospheric. But of course readers need a hook and action. I’m really happy that the reader has said that they “loved right from the first page there was action”.

The comments about Kate are reflected by another reader who compared the book to Iain M. Banks’ work. The first comment comes from their experience part way through the book:

Customer feedback6

Then a little further in in which they compare it to Iain M. Banks (nice! thanks):

Customer feedback5

And finally after finishing the book:

Tweets about planetfall

A series of tweets about planetfall

That final comment is great, “More please” and chimes with the reader further above who asked for more.

After five years of writing the book – and indeed, as the first book I ever wrote – this is a huge relief. I remember when I finished the first draft, and somewhere on Twitter is a tweet proclaiming it. And now I’ve had my first reader reviews I feel like I’ve finally completed a journey with it from decision to write, developing as a writer, finishing the book, having initial drafts proof read, making amendments, beefing up certain characters, re-writing the opening chapters endlessly… The end of a journey, and a happy one at that.

If you’ve read Planetfall: All Fall Down and have a review, I’d love to hear it – good, bad, indifferent, I don’t mind. Please let me know what you thought of it.

astro x

Competition winners

A few weeks ago I ran my first ever competition to promote Planetfall: All Fall Down. I put up two signed copies of the book.

Not to be falsely humble, but as a self published author with no commercial backing or significant public profile , I knew that there was a risk no one would enter.

I am, therefore, hugely pleased to say that I had four entries to the competition to win the two books. And because I was so relieved, and because the number of entries was just a couple more than the number of books available, I’ve decided to award all entrants with a signed copy.

So congratulations to:

  • Martin in Neath
  • Paul in Huddersfield
  • Carolyn in Leicester, and
  • Holly in Chingford.

They’ve all won a signed copy of the paperback, which *cough cough* is available from Lulu through my store with a 15% discount for the next few weeks. Well done to all of them.

The correct answers to the quiz questions were:

1. All Fall Down is set on a desert planet, where there are important minerals in the sand. Which famous science fiction book (and later film) was set on a desert planet devoid of water and full of giant worms? – DUNE by FRANK HERBERT

2. All Fall Down is available in paperback and as an e-book. Which platform/website is each available from? (Hint: check my Store.) – KINDLE and LULU.COM

3. The final question is actually just a question from you: what was your book of 2012? I’ll collate the competition entries and produce a list of favourite books from you all. There’s no right or wrong answer, I’m just looking to share reading tips!

The books recommended by our lucky winners are:

The Fault in Our Stars by John Green

Walking Home by Simon Armitage

Before I Go To Sleep by SJ Watson, and

Will We Ever Speak Dolphin? by Mick O’Hare

I hope the winners enjoy the book!

astro x

How to self publish

I recently published my first novel on Kindle and paperback. And between 2010 and early 2012 I published two shorter books, Ayla’s Journey (a dark and surreal illustrated children’s book) and Dark Things (short dystopian stories, some of them flash fiction). This experience has led me to giving advice to other authors about self publishing, which I thought would be useful sharing with a wider audience. So here we go – an Idiot’s Guide to Self Publishing.

Part one – Preparing your text

1. Make sure you have a complete text you want to publish. By complete, I mean it’s been properly proof read for spelling mistakes, grammatical errors, punctuation and formatting. There are a number of ways of achieving this. Read it yourself in different formats: I recommend printing it, going somewhere different to your usual writing environment, taking a red pen with you, and running the nib of the pen over the paper as you read. You will pick up different problems to reading on the screen (which if you only edit on paper, you must also do). Then ask someone else to read it. You should be doing this anyway – texts that want to be published are as much a product of the writer’s imagination as they are of the reader’s. So have a couple of friends read the text, and ask them to circle all of those errors, as well as give critical feedback on the story, its characters, those all important opening paragraphs, page and couple of pages, and how satisfying the conclusion is.

We’re not quite finished with the text. A few little prescriptive things:

a) Font. You might have a favourite font that you use. But is it readable once printed? If you’re going to publish as an ebook only this isn’t so important, because you can change the font on your device. But if you’re publishing to paper you need to choose your font. There’s a good guide to choosing fonts on the self-pub.net website. I would avoid Times New Roman (it looks amateurish in print), and stick to a font like Book Antiqua or Bookman Old Style (note the hint in the font title).

b) Page layout. For this section we need to pick up a book and open it to the first chapter. I’d like you to look at how paragraphs are laid out. Note that the first paragraph of a section is aligned with the page margin, while subsequent paragraphs are indented, like this:

First paragraph in line with margin.

Subsequent paragraphs start indented.

This is industry standard, and you must also follow it. This might mean re-formatting your entire book. Sorry, it’s necessary if you want to be taken seriously.

c) Section breaks. Some writers like to put an asterisk or other symbol between sections within a chapter. The standard is to use a single line break. It’s up to you. Most texts will look better with a single line break, unless your text is in a particular style (like a Gothic horror) and the symbol adds something to the atmosphere.

d) Font size and line spacing. Tricky. On ebooks you can adjust it on the device, so there’s not much to worry about. In a print book there’s only one way to tell if your print size and line spacing look good on paper: print and be damned. That means going right through this process, ordering a copy of your book and seeing how it looks. For guidance, I’d advise 1.5 line spacing and a font size of around 11. However you should also check the typesetting information in printed books you own, which sometimes describe the font and size.

2. Still here? Now you need a cover design. Some people are lucky enough to know artists and designers who they can ask to create book covers. There are also freelance book cover designers (find them through internet search engines).

If you’re creating an ebook, you will need your cover image prepared.

If you’re publishing on paper only, you can use the self publishing site to create a book cover.

3. We’re still in preparation mode aren’t we? So let’s go back to your book text because there’s a few things it needs: legal information, acknowledgements, copyright notice, contact information and page numbers.

a) For the legal information, simply copy the text from the front of an already printed book. I advise slightly amending any wording that isn’t about legal things to make it your own, but as a minimum you want to say something like: “Copyright © Your Name 2013 The right of Your Name to be identified as the author of this work has been asserted by her/him in accordance with the Copyright, Designs and Patents Act 1988.”

b) Acknowledgements are those thank yous that you want to give to whoever helped you write the book or encouraged you along the way. You don’t have to put them in. You might have noticed that they’re sometimes at the end of the book (my preference) instead of the start. It’s up to you if you include them.

c) Copyright information. You’ve already shown your copyright in the legal information. Now you need to say how and when your text can be copied, re-distributed, transmitted and so on. You’ll find this in the legal information text in the front of most books. Like I said, I recommend just copying the text from a book – you should notice that they’re pretty standard paragraphs across different publishing houses.

d) Contact information: these days being a self-published author is all about building an audience, and that means people need to be able to contact you. You don’t have to, of course, it’s simply advised. There are a number of ways to achieve this. Set up an email account specifically for your writing (do not use your own email address), set up a Twitter account, Google+ or Facebook page, or create a blog which has feedback options.

e) Page numbers. If you’re not sure how to insert these into your document, you can either click on the Help option inside your word processor, or in most word processors, you can use a drop down menu called something like “Insert” or “Edit”, and then an option like “Fields” or “Special”. In OpenOffice go Insert > Fields, and in Microsoft Word go Insert > Page Numbers. These instructions work for PCs; I don’t know much about Macs, sorry.

4. We’re still in preparation mode. We’ve done a lot to the text and the contents, and we’ve started thinking about the cover. You might have made a lot of changes. If so, rest your text for a week or so, come back to it with fresh eyes, and read it through again with a red pen. Self publishing is all about polishing and polishing and polishing. Now make a cup of tea, you deserve it.

Part two – Registering with self publishing sites

1. This is probably the bit most want to know about. You’ve heard of other people self publishing, but you’re not sure how you do it yourself. Let’s manage your expectations right now: this is going to take a while. You can save your progress and come back to it, if you’re pressed for time. Just be prepared for this to be easy, even while it’s time consuming and laborious.

2. We’re going to use Amazon as our self publishing site. Once you’re up to speed with using Amazon, you can use other sites, like Lulu or Nook or Google Books. So, go here https://kdp.amazon.com/self-publishing/signin and create a user profile. This site is called “Kindle Direct Publishing” or KDP. It’s going to be your central resource for getting an ebook out.

3. Now you need to set up a different user profile on a different site for the print version of your book, so go here: https://www.createspace.com/ This is called CreateSpace. If you have a central Amazon account, you should find that the KDP and CreateSpace accounts are automatically linked together.

4. Later, you can register on Lulu.com for print and ebook if you want. I prefer Lulu for printed books, because the book creation process is a little easier to use. But for the moment, let’s concentrate on the Amazon facilities.

5. Go back to Kindle Direct Publishing or KDP. Once you’ve registered, you should see a screen like this:

Image

To start the process of publishing your ebook, click on that yellow button “Add new title”.

Step three – Creating your ebook

1. Click on that button! You’re taken to a page which is headed by Your book, and then there’s probably a box underneath about enrolling your book in something called KDP Select. Ignore this for now, you can come back to it later.

2. Start filling in the details for your book. That’s how easy it is: you’re just filling in boxes. But now comes a tricky part. You’ve been asked for a Description. This is the short paragraph that people will read when your ebook is listed on Amazon, which should grab their attention. Rather than spending hours trying to think what to write, go to a successful book’s page, say Life of Pi, read the text, and adapt the style to suit your own book.

For example, the Life of Pi text says this:

One boy, one boat, one tiger …After the tragic sinking of a cargo ship, a solitary lifeboat remains bobbing on the wild, blue Pacific. The only survivors from the wreck are a sixteen year-old boy named Pi, a hyena, a zebra (with a broken leg), a female orang-utan and a 450-pound Royal Bengal tiger. The scene is set for one of the most extraordinary and best-loved works of fiction in recent years.

To adapt this for your book, break it down into the elements, and include your own book’s details. So let’s assume you’ve written a book about a family at war over several generations.

One family, three generations, one deadly secret. [See how we get a quick description with very short elements.]

When Arthur graduates from college he expects a bright future. [Now we have a male lead, and we have something to gain and lose: a bright future.]

But his attempts to leave behind his working class background bring him into conflict with his parents. His struggle to move on with his life brings out a secret hidden by his grandparents, which threatens to tear apart the entire family. [Now we have a problem establishing, conflict, and a hint at the consequences.]

Spanning three generations, Arthur’s Kitchen Sink explores the tensions at the heart of every family and how love can tear us apart.

Anyway, you get the idea. Use the hook, give us the context and then create the conflict and what’s at stake for your character. Then finally place the book in its genre: scifi, fantasy, literary fiction, thriller, etc.

3. When you get to section 2. Verify Your Publishing Rights, you should click the following:

a) This is not a public domain work… Most authors will use this option. It means the work is yours and belongs to you.

b) This is a public domain work… If you’ve taken works that are out of copyright you have to choose this option. For example, some people collect old versions of The Brothers Grimm stories originally published in the 1800s and now out of copyright, and publish them as collections.

4. Now you need to upload your book cover. Fortunately we covered this in Part one – Preparation, and you have a file ready. Make sure it’s saved as a .jpg. Once you’ve uploaded your image, you should see it appear on the page behind the upload box. Now just click the little [x] in the top corner to get rid of the upload box.

5. Upload your book file! You can upload a .doc, but I recommend something first. Open your word processor and then open your book file. Now we’re going to save it as a different file format. If you’re not used to doing this, it’s really easy, and here’s the step by step guide:

a) Open your file

b) Click on the File menu

c) Click Save As (note: do not click “Save”, you must click “Save as”).

d) Now you have the save window on your screen. Look near the bottom and just below your file’s title is an option saying “Save file as type:”. Click on the little arrow on this box.

e) Go through the file formats and click on HTML or HTM. Now click SAVE.

f) When you upload your book, look for the .html version. It makes the file conversion a but easier for KDP.

6. Now you’ve uploaded your book you can preview it online. Finished? Almost there. Click Save & Continue.

7. Now we’re into pricing. This requires a little bit of thought.

a) Click Worldwide rights.

b) Choose the 70% royalty rate if the book is your original creation. If it’s a collection of other out-of-copyright works, then click the 35% royalty rate.

c) Choose your prices. KDP gives you minimum prices. It’s up to you what you choose, but some advice first. If you have no audience, no public profile, no previously published works or reputation, setting a price at book store levels will work against you. Try setting a price of USD $3.50, and click the boxes for the other territories saying “Set price automatically based on US price.”

8. Done that? At the bottom is a little box you need to check saying you’ve read the Terms and Conditions. Click it and press Save & Publish.

9. Well done! You think you’ve published your book. Not quite. First Amazon needs to check that you’re not publishing porn or anything illegal. If all is well, within 24 hours you’ll receive an email telling you that your book is now available for sale. You’re a published author! Brilliant. That’s the end, right. Right? Well, it could be. Or it could be time for…

Step four – Marketing your book

1. First we need to understand “marketing”. If you think it means “advertising” you need to read this. If you know what it means properly you can skip forward.

2. Marketing is about making your product visible, attractive, interesting, desirable and of forming a connection with your potential audience and purchaser. Advertising is a part of that, of course. If it helps, imagine you’re in a physical market, surrounded by market stalls, each selling foods and clothes and consumer goods. There are hundreds of them. How do you know which stalls even exist? Which stall do you choose? Do you even know what you’re there to buy? Now consider it from the market stall holder’s point of view. You’re selling clothes, but everyone else is selling similar clothes. How do you make yours stand out? Even worse, your stall is stuck down in a corner behind 100 other stalls. This is where marketing comes in.

3. First you need people to be aware of your product. We do through that different forms of advertising. This can mean using Twitter, Google+ or Facebook, or through more advanced measures like having our books reviewed in magazines or by well known new book blogs.

4. So people have followed the direction signs and are looking at your stall (your book). Now you need to create and maintain their interest. This is where the product description and the cover image help. People are a sucker for a pretty picture. That’s not cynical, it’s just true. Many decisions to buy a book are based on the cover. But they also want a book that’s suitable for them. If it says “scifi” on the cover, you’ll hook the scifi fans and lose the romantic fiction fans. That’s fine. Know your audience and market to them. The book description you put into KDP when you were creating your book helps here. What else helps? Well they’re on your page, and they’ll want to read reviews to see what other people though. Never underestimate the power of social recommendation. It is not acceptable to write your own reviews. But you do need 1 or 2 to start you. Go back to the friends who read your book and ask them to write a quick review.

5. By the way, we’re following the classic marketing model called AIDA here. It would be worth your while reading the Wikipedia page about it.

6. You have their awareness, you’ve grabbed their interest, and you’ve created some desire. Now you need them to commit and buy. Price is important here. Your readers need to feel they’re not risking too much money for what is still an unknown quantity. But you don’t want to appear cheap either. That’s why we’ve set the book at USD$3, above minimum but not greedy. I’m no marketing expert, so from here on in I advise using a search engine to look up ideas on marketing your self published book.

7. A final comment. Be prepared for the amount of work marketing needs. You need a presence on Twitter where you’ll find a large community of indie authors. You need to advertise it constantly – one tweet on Twitter won’t do it. One post on Google+ won’t don’t do it. It needs several per day over the course of several months. It needs time and commitment if you want it to sell.

That’s it. Well done, you’re finally a published author. You’ve taken your first step into a wider world. I promised to include details on CreateSpace and publishing to printed books. That information will appear here in the next couple of weeks when I have some spare time, so check back in early February.

If you have any tips to share or want this blog post updated with extra information, then please leave a comment below, and I’ll look into editing and improving it.

Debut novel launches on Kindle and paperback

Today is a proud day! Today I finally published my debut novel All Fall Down, the first book in the planetfall series.

I started this book (originally just called “planetfall”) in September 2007, and finished the final final final final final final draft in August 2012.

Writing my first novel has been one of the most rewarding and satisfying experiences of my life. Let’s not beat around the bush: it is hard to write a novel. If it looks easy to anyone, if it looks like it’s just scribbling a few words down when inspiration strikes, then I can only suggest looking harder.

Writing a novel is hard work. At every sentence on every page in every chapter across the whole book, you have to bear in mind how it affects every other sentence on every other page in every other chapter across the whole book. You have to invent people and their lives and hopes and contradictions and life histories and families and let them live inside you and interact with each other. There are rooms to describe, worlds to invent, references to embed, colours and sounds and smells to be aware of. And all of this – for most of us who write – against the background of going to a normal day job, shopping, cleaning the house, trying to have a life, pay the bills and keep up with our own reading and watching movies and so on.

There are harder things, to be sure. Bringing up children is no doubt harder and more rewarding. But that’s not to dismiss the dedication needed to create a book and the world and people and stories inside it. It is akin to a child being created. And like all children, it must at some point be let go to fend for itself.

And so to my debut novel. Planetfall: All Fall Down, my first novel, is now available on Kindle and paperback. There are links in my store, or follow one of the links in the text above.

Good luck with your own writing projects. And if you have a minute available, please visit the Kindle page and “like” the book, even if you don’t download it. I’m told if it reaches 50 likes, that it will be promoted on Amazon’s new books email to thousands of customers. Thank you.

Advice for the advisors

Don’t write, just write. But don’t write, because you’re not good enough.

Like many amateur writers, I follow a number of online writing tips websites. I’m sure you have ones you like. Some of the better ones that I know about include DIYMFA and Bang2Write.

I mention these two because they’re high quality, and give writing tips from different perspectives. DIYMFA from a writer’s perspective, from someone who’s been through a Master of Fine Arts programme (hence DIY MFA); and Bang2Write from someone in the industry who makes decisions on scripts, as well as being a writer.

The good thing about both of those is that, generally, they give this advice: just write. That’s all you need, really. After that, everything is style.

But some writing tips websites almost go out of their way to stop people writing. Which seems a bit bizarre. They say things like:

Don’t write prologues unless you’re highly experienced.

And

Don’t write cliches unless you’re a really good writer and make a really good job of it.

Have you ever seen this kind of advice? It’s nonsense. In the first one, how would one get to be “highly experienced” if one didn’t write with low experience? And how can one use a cliché in writing and make it brilliant, if one doesn’t use clichés in their rubbish form and learn why they’re bad? They almost say to a budding writer, “Don’t write, you’re not good at it. Leave it to the professionals.” And then off we trot to find out how the professionals became good, and their interviews says, “Just write. Make mistakes.”

 

planetfall update

More work on planetfall book 2 this weekend. I’m about 24,000 words in now, which is about 80 pages. It’s already shaping up to be an action-centred book, where the first one was more thriller-esque. The theme of revenge is strong, and I’ve somehow managed to set up four storylines (one major story, three sub-plots) in that time, which I’m pleased about.

My writing approach with this book is a nice mixture of planned and organic. I know, have known, the overall story arc, and roughly where each of the characters needs to end up by the book’s close. So starting with the end in mind it’s now a case of letting the characters explore their personal space and their narratives, and seeing what crops up. Undoubtedly I’ll be editing things out, putting new parts in, treating what I’ve written so far as guide text and adding more exposition and so on, but for now, it’s going very well.

Regarding book 1, it’s still out with agents, and I’m waiting for feedback from about 10 of them. I think I said that I’d received feedback that it “has a big sci-fi feel”, which isn’t seen much these days, but that agents are looking for different kinds of books for current market conditions. (That’s the same feedback I received for my other book, Backpackers – market’s looking for different kinds of stories.)

 

I’d love to hear what you’re working on. Drop me a line.

 

 

planetfall – update

Years ago I started writing this little book and called it “planetfall”. And I failed. I failed to write it. I failed to make it happen, I failed to conceive of a decent story. I failed to have the ability and find a way into it.

But I learned from the failure. planetfall was supposed to alternate between two stories – how a war started, and the war itself. But writing from two different perspectives, with completely different characters, soon proved too much. I decided to split the story into two, and write ‘how a war started’ first. It took me just over four years.

Finishing that first book, which I’ve since named All Fall Down (though it remains Book One of the planetfall series), took a massive effort. I’ve blogged before about how much I taught myself and learned from others about plotting, character, editing and so on.

In the summer of 2011, with a finished draft of All Fall Down brimming with pride on my laptop, I sat down to write ‘the war itself’. And failed again.

So I wrote another book, called Backpackers. And a book of short stories, called Dark Things. I took a creative writing course at London’s City University. I joined a writing circle. I wrote an 8 minute film script, and then a 30 minute pilot sitcom script. And started a fanfic novella about Robocop.

Phew. I was busy last year, between Aug ’11 and Aug ’12. But then I was unemployed, so it was a good time to really improve my writing skills and achieve something.

Over that year I occasionally went back to ‘the war itself’ and tried to make it work. Occasionally I would have a little breakthrough. An idea for a scene. A line I’d edit which would work really well. And sometimes there’d be a big breakthrough, like finding the narrator’s voice. That, really, was the hardest part to get right – his voice, his view of the world.

“Voice” is an interesting concept in writing, and it’s not one that many amateur writers come across until they go on creative writing courses, hang out with writers more experienced, or really delve into the amazing writing tips websites now available.

Trying to get into the mind of a person and speak from their point of view, to find their voice, is difficult. And that’s what kept bringing me back to that original story, and sending me away. I kept coming back because if it was difficult finding this character’s voice, then it must be a prize worth achieving. And I kept leaving the material to rest so that I could develop my writing skills in other media, try writing in different voices, and bring them back to this original idea I had in 2007.

A couple of months ago I sat down and re-wrote the opening 15 pages of the original planetfall. And I found a voice. In truth it wasn’t so different from the one I started with originally; the changes really were that it had more hope in it, less misery, it had a pinch of vulnerability, but it was also confident. It was angry, remains angry, but there’s a sense, I hope, of it building to something. This soldier has a mission.

A few weeks later, though, still unsure if this re-write was working, I re-wrote the first 5 pages from a completely different point of view: 3rd person, near (or 3rd person, limited, as it’s also known).  This worked, and I had a voice in that, too. And of course a quandary: I now had two versions which worked, one in first person and one in third. What to do?

At this point I was just finishing my sitcom script, which follows two characters whose lives cross early on, and keep crossing despite neither of them wanting to. A thought struck me: I needed to pick up the events of book 1. I’d always intended any reference to book 1 coming through from the first person narrative, a very narrow point of view (POV). But writing the sitcom, where the viewer would need to know more than a single POV, gave me an idea. What if I could go back to my original idea? Write a first person narrative with the voice I’d found, and write a third person narrative which followed other characters, so that necessary plotting could be picked up there.

It’s a risky decision. It essentially means the chapters go like this (example text):

Chapter One – My team died that day, and it made me angry. Three months later, I died. And that made me angrier still. I vowed revenge.

Chapter Two – Kate was alone on the planet when the ship came to get her. After twelve years, her solitude was over, and like it or not, she was going to be plunged back into the war.

Chapter Three – …and so on back to first person…

So how’s it working out? Is it another failure?

From my perspective, it’s working beautifully. The change between points of view has unlocked so much of the story, and made it so easy to write, that I’ve gone from 15 pages to 65 in a matter of days. The third person narrative brings the events of All Fall Down into the new book, providing continuity for the story and reader. The third person narrative brings something new. It places the reader in two parts of the world: a god-like part, where plot unfolds and great events move forward; and a personal part, where we feel what it’s like to be on the frontline of the war, narrated by a soldier.

It is a risky approach to telling a story, and I’ve never tried swapping POV like this – or rather, I did, once, in 2007, and I failed miserably. And five years of writing experience has given me the ability to achieve my original ambition. From failure came a number of successes.

As writers, we need failures. We need to write crap and tear it up. We need to write awful dialogue and curl up with embarrassment when we read our work aloud when we vocally edit. And we need, importantly, to learn from those mistakes and failures.

I’d be interested to know what failures you’ve had, and what you learned from them.

Character profile: Win Ho-Yung

So, for a few blogs I think I’ve promised to go back to talking about some of the characters in planetfall. The last blog post was about updating the storyboard for book 2, which may need further updating after I wrote to the end of chapter 3 yesterday and found the story writing itself into an interesting place. It’s not the forward storyboard that will need updating, it’s what’s already been written: probably just needs a minor tweak here and there and some extra character development and scenes to make it feel complete. But I digress. Let’s get onto a character from the first planetfall book.

In this blogpost I want to talk about Win Ho-Yung, and from the perspective that (at the time of writing) the book isn’t yet available, and so you haven’t met him. Let’s consider this an introduction, then, and avoid any spoilers (sweetie).

The first thing I want to talk about here is the name, “Win Ho-Yung”. All the characters in planetfall book 1 have names that either cropped up naturally (cf: Kate Leland) or which I constructed to have a specific meaning (cf: Sophie Argus) or which are a nod to cultural issues outside the book (cf: Masjid Currie, named after Marie Curie). Not so for Win.

Win’s name I agonized over for a quite a while. It is a made up Chinese name; actually within the context of the book it is a Qin name, the evolution of the Chinese society, which allowed me to take some licence – I have no idea if “Win Ho-Yung” would be a real Chinese name, or indeed if the names are more suited to nearby Oriental language groups, like South Korea.

I struggled with the name because of its obvious English meaning, “to win”. What I didn’t want people to do was associate the name with that English meaning, to think that here was a character whose name predicated their role (there is some of that in planetfall, just not for this character).

The name “Win” first appears in my Moleskine notebooks on 25 May 2008, and I’ve copied in some of my preparatory and biographical notes below. You also have another picture of my atrocious drawings, you lucky people. I didn’t record where it came from or why it was the only name I considered. I only know and remember that after much thought (translation: staring into space) that this was the name that I came up with. It felt right.

So the name has no specific meaning, but it is the only name I ever considered. In my notes there is no alternative, which is different for Djembe (I will cover that in a separate blog) and Kate Leland, for whom I have already talked about wobbling between Karen and Kate for a while, knowing only that the name had to start with a hard k sound. It’s also different for Sophie Argus and Masjid Currie, who will also be discussed in future blogposts.

Well who is Win, then? Enough about the anxieties of the author, and more about the character. Here are some heavily edited notes, originally written on 25 May 2008 in Costa Coffee, Crouch End, London, UK

Name: Win Ho Yung (note, no hyphen at this stage)

Age: 42

Born: Habitat in the Orion I system.

Biog:

Win Ho Yung’s ancestors remained in Qin space (the area occupied by the former Qin Empire, itself a closed-border volume of space created by Chinese peoples fleeing Earth’s environmental collapse in the book’s history), venturing out just three generations previously (before the book’s start). This conservativeness remained in their son, who was unambitious, despite his great skills and understanding of environmental systems. He was a person very much of his background, born in a Habitat, between Qin space and the rest of the human settled space. A Habitat between systems, but comprised itself of interlocking systems, asteroid and metal and farming pods, carefully balanced and carefully maintained. He wished not to go back to his ancestors’ roots, but neither to venture forth on his own. He had no desire to imagine different futures for himself. More important was understanding what was around him. How his environment worked, fit together, was influenced and influenced in turn. Win was a person of the moment, his sense drawn around his immediate presence and wholly focused on it. That allowed him to sense when something changed, not because he was out looking for it, but because it stopped affecting him. And that was also his weakness. If it stopped affecting him, he effectively became blind to it.

With an initial understanding of his background, I then tried to represent this as a picture. The photo below shows some of this, with the necessary explanation below it:

Planetfall notes on Win

Initial attempt to capture Win's character

Let’s take this picture from top left, go across the page, then drop down briefly to the bottom.

On the top left is a little graphic. In the middle is a dark dot, which represents Win, and out of it come a number of arrows. The strong arrows pointing up & down represent Win’s character trait as described: “Win was a person of the moment, his sense drawn around his immediate presence”. He looks left and right, to his immediate surroundings. A faint dotted line arrow can be seen pointing to the right, representing his limited traits of being a far-sighted person or thinking strategically. You can also just about make out an arrow going backward, which represents Win’s use of scientific data – already established facts, or “knowns” as I phrased it in my notes on the right hand side of the picture.

What you can also see in the picture is that I got confused between Djembe and Win’s characters when I was trying to represent them graphically. The crossings-out at the top and very bottom of the picture show the names being swapped around so that the drawings better tied up with the character biographies I’d written immediately above. What can I say? Sometimes we don’t concentrate on our work as well as we should.

Setting up these early character notes and biographies helped me in understanding how Win would respond to a situation. For example, because he is tied into the moment and the surrounding environment, he is very aware of people’s emotions; it allows him to be a more empathic character. And because of this tendency to empathy and emotional awareness, Win was the first character in the book for whom I developed any conception of family. He is married and has a son (you find this out in the book, and it’s not a spoiler). And because of that, he was my first attempt at creating a character with a tangible emotional centre. My approach was, “If I can get the emotional content of this character right, then I can use the experience to develop the emotional life of the other characters”. I think because of that I formed an emotional attachment to Win, and in planetfall book 1 he’s my joint favourite character (along with Verigua, the Colony’s Artificial Intelligence).

In trying to work out the rest of Win’s character I didn’t have far to look. Having already blogged about the cultural references in planetfall, it will come as no surprise – given my teen years in the 80s – to find that Win is based on the character Data from the 1985 film, The Goonies, but grown up and now aged 42. (For those who need a prompt, Data was played by Ke Huy Quan, and carried about his body a number of ‘wacky’ scientific inventions.)

In planetfall Win’s role is as environmental analyst and general inventor-of-cool-tech-and-weird-virtual-reality-simulations. He gives a lightness to scenes and acts as a foil to Djembe, who is very much a straight laced person. The two play off each other, and while they are very different characters, they are shown to be good friends, both admiring the other’s skills. Because of Win’s character trait of looking to facts and knowns, he is also the major character for filling out the history of planetfall, and for bringing in plot devices by interacting with his environment (translation: he runs around and pokes stuff).

In proof reading, it is Win who is mentioned most often as people’s favourite character, which is very pleasing. Scroll back several paragraphs to where I said, “he was my first attempt at creating a character with a tangible emotional centre”, and you’ll understand why this is pleasing.

So there we have it. Here is another character biography. Was it what you wanted? Would you have preferred to understand how the character developed as I wrote the story? Or about other interactions? If you have any feedback, please use the options on the page to let me know.