I’m covering a number of different topics in this blogpost: updates on my writing projects, updates on me as an author, updates on applications to agents. And whatever else crosses my mind.
Writing projects updates
Well, book one is published! I still owe a huge debt to the cover designer @moviessimple.
The feedback has been phenomenal, too, with really good reviews from customers on Twitter, the Facebook page I created for the book, and reviews on Amazon.
The reviews really help: every time I publicise the book with a genuine reader review, it helps sell another copy. Reader feedback is key to growing the buzz around the book. You read this kind of thing from other authors and artists, saying how grateful they feel to their readers or fans, and now I know from their point of view how it feels. I am indebted to the readers who have taken a risk with my book, and who have felt motivated to write a review. Thanks to each and every one of them.
planetfall book 2: Children of Fall is coming along well, when I have time to write (I’m now back in full time employment). I’m up to 70,000 pages, and finding that my early predictions are bearing out: this is going to be a big book. It will come in somewhere between 150,000 and 200,000 words. A typical book is around 70,0000-100,000 words long. At the moment I’m not prepared to edit it to fit into a 100,000 word size. The story needs to live and explore its universe. Once I have a full first draft, I’ll see what’s needed and what’s extraneous and kill my darlings appropriately.
The story is getting good feedback from my writing circle, too, and they are nothing if not honestly critical. They’ll rip something to shreds if it’s not up to standard, as well they should. That’s what critique is for.
- Robocop fanfic
Some longer time readers of my blog might remember that I wrote some fanfic last year while I was unemployed. What was supposed to be a 1000 word piece on Robocop turned into a ~35,000 word novella. It’s still very raw and unfinished, with half developed characters and some plot lines that just fizzle out. I’ve been thinking recently of resurrecting it and finishing it to a reasonable standard (not highly polished) and making it available as a free ebook download. Just for fun, you understand. More news as and when.
Updates on applications to agents
Before Christmas I undertook some significant rewrites of Backpackers, following some very positive feedback from agents. I’ve sent it to 23 agents so far. Of those, about 7 sent personal responses saying that they really liked it, but that their agency was listing different kinds of stories at the moment, or that as much as they liked it, they couldn’t see where it fit into the current market.
I met an agent in October last year, who confirmed that if agents give a personal response beyond a standard reply, that it means you’ve got something good.
Emboldened by these responses, I re-wrote part of Backpackers following a lengthy response from one particular agent. The re-writes were to make the story more commercially acceptable. The character Jack Wolf has been boosted from a bit part in one chapter to being one of the two loci of the story (the other being Cath). He now starts and ends the book, and the thrust of the narrative is about him trying to find the backpacker, Cath Pearson. This meant re-writing the first 2 chapters almost entirely, a later chapter where Cath originally met Jack (now it’s her 2nd time, completely ditching the character John, and re-writing the final chapter.
I remember about two years ago a good friend, whose mother is a successful author, asked me how I would feel if I had to re-write a story to meet market expectations, and move it away from what I wanted it to be. My answer then was the same as my approach to the re-writes: The story I want is on my laptop’s hard drive saved in a previous version. No one can change that or take it away. What happens to it after that, to make it commercially acceptable, doesn’t matter. After all, a piece of writing only becomes a book when it forms a bridge between author and reader. And if the story needs to adapt so it reaches readers, then that’s fine by me.
So where am I now?
I sent the re-written Backpackers back to that most friendly agent. She kindly re-read it and wrote back saying she was still on a knife edge about whether she should pick it up or not. Ultimately, she went with market conditions: there just doesn’t appear to be the demand from sellers (not necessarily readers) for the story type in Backpackers, so she passed on it.
Obviously in one sense, that’s hugely disappointing: to be so close to the next step to publication, only to have it pulled away. But I was struck by her email: “You can write,” she said, “and please immediately send me anything else you write in future.”
I might not have hit the bullseye this time, but I have an open invitation to submit work in future. And that’s ultimately good news.
Following the really positive response to planetfall from readers, I’m wondering if perhaps the book is a little better than I think it is (it’s my first novel and full of technical problems). So I am having a second round of sending it to agents. I only ever sent it to 10 agents anyway, and perhaps should have persevered a little more. planetfall never got the level of positive response that Backpackers has, but I did get personal emails from agents saying they liked it and that (beware, deja vu alert) that type of story is missing from the current market. Which worked against it, of course, because sellers weren’t looking for those kinds of stories…zzzzzz. Sounds familiar
I have told agents that I’ve already published the book, and have pointed out the marketing I’ve undertaken, and the reader reviews that it’s gained. In that, I think I’ve changed my approach to agents. I am treating the submission query as a business pitch: here is some product, it has some traction with the market, there is a marketing profile around it, it has already sold a few copies. I’m not sure what response that approach will get, but I think it’s worth trying different approaches beyond the “Here’s my book, please like it!”* that I was using in my first round of submissions. (*not actual text, professional authors, don’t worry.)
Updates on me, the author
You might have noticed the last few blogs having a slight change: confidence. I am no longer someone who writes books, I now consider myself an author. I hadn’t quite conceptualised it that way until I read a recent DIYMFA newsletter.
It’s a subtle shift in thinking to an outside, but I think inside it suggests quite a radical shift.
My self identity now includes an acceptance that I am an author. This is what I am, this is what I do, this is what I will continue to be.
That means that I will prioritise writing before other things, in the same way that for 40+hours per week I have to prioritise work because I am also a sustainable development professional. I love doing that kind of work, it helps make the world a better place and it pays for my food and home. If being an author could do that to a level where I could survive, I would take the chance. (I already took a huge chance in taking redundancy from a well paid job in 2011 so I can write constantly for a year and improve my writing skills. That risk, that chance, paid off. I made it into an opportunity, the fruits of which are outlined above.)
Because I now think of myself as an author, I’ve started thinking of doing things that I never previously considered. For instance, I will be going to the London Book Fair this year. So what? Anyone can go, you pay £30, you attend. But this is different. Previously I’d considered it was for industry professionals only. Now. Now I consider myself an industry professional, and that I deserve to be there. It’s the attitude change that’s important.
I’ve started running promotions as an author for planetfall, too. The recent competition I ran to give away copies of the book was successful, and got me good feedback. People have said they can’t wait for the sequel. There is a sense of expectation on me as an author, which means I need to respond by being an author who delivers.
A few blogs ago I said I would write a blog about creating community, and how important it is as an author. I don’t have time to do that at the moment, so in the meantime the best thing I can do is point writers and authors to DIYMFA’s online resources for building community:
And remember, the best community you can have is joining a writing circle where you regularly take your work and receive critical feedback on it. Re-writing with external feedback is crucial to improving our writing skills and the work we produce.
As ever, I’d love to hear what you’re up to with your writing. You can contact me on Twitter at @astrotomato or by email on firstname.lastname@example.org Just say “Hi astro” if you like.